The Rubank Method is in any case not suitable for school instrumental music classes because it moves too quickly to too diffcult a level.
VERY good, but my younger crowd seems a bit bored with it Each level has a basic book, viz. Rubank is still feasible in that it has a plethora of methods and various levels too.
11 Technical Exercises
Not a 16th note in book one but loaded with good basic materials. It has a faster pace than some of the other series, but it has optional supplemental books that may be used for extra practice. The extra books include a technique volume, a melodious etudes volume, a volume for solos with piano and a duet volume. There are companion books for each of the three levels Comments about Some of the Other Methods.
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They come for all instruments, but are not a band method. Make a wish list for gifts, suggest standard repertoire, let students know which books to buy, boast about pieces you've mastered: Music Lists are as unique as the musician!
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Clarinet Music - Studies and Exercises
ML General clarinet books. ML Clarinet construction, maintenance, etc. ML Clarinet music and playing, performance techniques, etc. Dwight Anderson Memorial Music Library. Search U of L Libraries site search. Clarinet Resources : Clarinet Books. Finding Books About the Clarinet Books about the clarinet and clarinet performance topics can be found under call numbers below.
Practical Studies for Clarinet, Bk 1 by Nilo Hovey (Paperback / softback, 1985)
C35 More Info The Cambridge Companion to the Clarinet is a practical guide to the world of the clarinet. It offers students and performers a composite survey of the history and repertory of the instrument from its origins to the present day, as well as practical guidance on teaching and playing from historical performance to contemporary techniques and jazz. Informed by the experience of distinguished professional players and teachers, this book makes an essential and stimulating reference book for all clarinet enthusiasts.
H64 The clarinet has a long and rich history as a solo, orchestral, and chamber musical instrument. In this broad-ranging account Eric Hoeprich, a performer, teacher, and expert on historical clarinets, explores its development, repertoire, and performance history.
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Looking at the antecedents of the clarinet, as well as such related instruments as the chalumeau, basset horn, alto clarinet, and bass clarinet, Hoeprich explains the use and development of the instrument in the Baroque age. The period from the late s to Beethoven's early years is shown to have fostered ever wider distribution and use of the instrument, and a repertoire of increasing richness. The first half of the nineteenth century, a golden age for the clarinet, brought innovation in construction and great virtuosity in performance, while the following century and a half produced a surge in new works from many composers.
The author also devotes a chapter to the role of the clarinet in bands, folk music, and jazz. The new edition has been completely rewritten, corrected where necessary, and updated.